Fangirling Doris Day

My love for Doris Mary Ann von Kappelhoff is no secret. As a classic film obsessive, I’m often asked who my favorite (male and female) movie stars are. With zero hesitation, Cary Grant and Doris Day. Even her name reflects that Day was destined to be star. Her mother gave her the name “Doris” after the silent film star Doris Kenyon. Later, “Day” was inspired … Continue reading Fangirling Doris Day

5 Reasons Why THE AWFUL TRUTH is my Classic Comfort Movie

May 16th was National Classic Movie Day! On that date we celebrate those films we love from the golden era of Hollywood. To list just one film that brings me joy or comfort like an old friend is frankly impossible. But one of many that I have seen countless times and brings me laughter without fail, even on the bluest of days, is Leo McCarey’s … Continue reading 5 Reasons Why THE AWFUL TRUTH is my Classic Comfort Movie

9 to 5 (1980)… has the workplace really changed?

In the thirty-seven years since Colin Higgins’ Nine To Five (1980) was released, it’s easy to reflect upon this comedic view on feminism and the office workplace and note the changes. The typewriters and other technologies (or lack thereof), the clothes, hairstyles, cars… they all seem dated to the modern eye. But look deeper. The messages being pitched in this film, the struggles of the … Continue reading 9 to 5 (1980)… has the workplace really changed?

My 80s TV Crushes: David Addison and Remington Steele

    The Silver Screenings site is conducting the Reel Infatuation Blogathon this week. Bloggers are tasked with reflecting upon their fictional character crushes- from books or the big or small screen. Truth be told, my first TV crush (and this is according to a discovery I made in my baby book as scribed in my mother’s own handwriting so it must be true) was … Continue reading My 80s TV Crushes: David Addison and Remington Steele

Abbott and Costello Meet the Universal Monsters

Modern horror has gone through various subgenre influences from vampires, zombies, Japanese horror, slasher blood-and-gore, to ‘documentary style camera work’ (think Blair Witch Project or Paranormal Activity), with a slew of sequels plus parodies and a host of others. Those are okay, I guess. But what really does it for me are the Universal horror films or any classic horror comedy. The best of these … Continue reading Abbott and Costello Meet the Universal Monsters