Fangirling Doris Day


My love for Doris Mary Ann von Kappelhoff is no secret. As a classic film obsessive, I’m often asked who my favorite (male and female) movie stars are. With zero hesitation, Cary Grant and Doris Day. Even her name reflects that Day was destined to be star. Her mother gave her the name “Doris” after the silent film star Doris Kenyon. Later, “Day” was inspired from her early years singing with big band leader greats like Barney Rapp, who suggested she take the Day surname from the song, “Day By Day.” (Take a listen here: )


Dancing was her initial attempt at stardom. She even won a $500 contest that routed her to Hollywood, but those dancing dreams dashed away the day before her trip, due to a car accident which seriously injured her. So her mother encouraged her to switch focus to singing. This landed her on the radio, followed by the concert stage, with bandleader greats like Bob Crosby and Les Brown and His Band of Renown. By the mid ’40s, her sultry yet approachable voice was quite popular, especially with the WW2 troops, and reaching the charts with number one singles such as “Sentimental Journey.” The time had come to transition that magical songbird to Hollywood musicals.


She was a natural talent on screen. There was something so vibrant, so magnetic about her presence. As a novice to Hollywood in 1947, with her already seasoned voice combined with her stunning beauty, she was a standout even amongst the most shining constellations of stars. Beyond the colorfully light fare of musicals with the likes of Jack Carson, Doris sprinkled in more dramatic roles. In the ’50s, Day took on darker, juicier roles like the jazz singer paired with an obsessive Kirk Douglas in YOUNG MAN WITH A HORN (1950), as Ginger Rogers’ sister embroiled with the KKK in STORM WARNING (1951), as a desperate mother, along with Jimmy Stewart as the dad, fighting to save the life of their kidnapped son in Hitchcock’s 2nd attempt at THE MAN WHO KNEW TOO MUCH (1956), and as the abused singer Ruth Etting in LOVE ME OR LEAVE ME (1955).


THE MAN WHO KNEW TOO MUCH (1956) helped solidify the featured song “Que Sera, Sera” as the reigning signature song of her career. Meanwhile, LOVE ME OR LEAVE ME stands as the most memorable of her dramatic roles. Unfortunately, this is in part due to the emotional pains Day suffered while filming the intense scenes of abuse paired with James Cagney. Day and Cagney were only performing roles of course, but during such pivotal scenes Doris couldn’t help but be painfully reminded of her first husband, jazz trombonist Al Jorden, who violently beat her while she was pregnant with her only child, Terry.


As audiences said goodbye to the ’50s and mega musicals grew out of favor, Doris reinvented herself yet again with sex comedies in the 1960s. Many of these comedies are considered the most memorable of her career to this day. In films like PILLOW TALK (1959), LOVER COME BACK (1961), and THE THRILL OF IT ALL (1963), Day reflected society’s changing times as an empowered, talented woman with a career. Many of these films continued to focus on the battle of the sexes, sometimes as a savvy single gal in the workforce, sometimes as a mom juggling multiple roles while struggling to seek greater balance of power. And no one did all of this, while also projecting a powerhouse of stunning fashions, quite like Doris Day.


Her career started as a jazz/big band singer in 1939 at the age of seventeen. On the Columbia records label, she created over 650 recordings within 2 decades from 1947 to 1967.

Day co-starred with some of the biggest names in the Golden Age of Hollywood during this time. Rock Hudson, Cary Grant, James Garner, Jack Lemmon, and Rod Taylor are just a few. With every role, and every A-list leading man, she shined even brighter. As for her reputation that she was typecast as the virginal girl-next-door, I wholeheartedly disagree. She was following the code handed down to her just like all the other actresses of her time. If you doubt her ability to exude a breathy, come-hither sex appeal, I highly suggest you watch her sex comedies again. (Or, schedule an appointment with your optometrist and cardiologist.)

Before I move on from my fangirling nirvana, I must point out what I believe to be her greatest strength: her instinct for physical comedy and masterful comedic timing.


I don’t think Doris Day receives anywhere near the credit she wholly deserves for her innate sense of comedy. To me, it always feels like a fresh, new experience to witness her reactions, her interplay with fellow cast performances, her animated facial gestures. Absolutely- and hilariously- brilliant, every time. How is this even possible? I believe the answer lies in her authenticity. Her charisma was straight from the heart.


Doris Day made her final feature film in 1968, co-starring with Brian Keith in WITH SIX YOU GET EGG ROLL. It’s such a funny and heartwarming movie that reflects very realistic challenges of blending families, a subject I’m personally familiar. Day’s career turned to television appearances, including her own show, “The Doris Day Show” (1968 – 1973).

Sadly, her main reason for even doing the show was because her manager/3rd husband Martin Melcher died, and upon his death, Day discovered he had made arrangements to terminate her Warner Brothers contract and start this TV gig, completely unknown to her. Tragically, she also discovered that Melcher, along with his business partner Jerome Rosenthal, had squandered over $20 million of Day’s earnings over the entire 17-year period of Melcher’s marriage to Doris. She had no choice but to do the show to earn back her money.

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Her strength and tenacity, in addition to her many assets, is impressive. But more so, my love fest with her also stems from those glimmers of a connection to my idol. I don’t share ANY of her talents. Not even close. But I love her fashionista goddess ways. I love that she had freckles. I love her deep passion for animals. (Yes, I belong to the Doris Day Animal Foundation.) I love her lifelong friendship with Rock. And I love that she was a survivor. She survived… a father that left/ran off with her mother’s friend when she was young, abuse from her first husband, death of her child, financial whirlwinds of great success to deeply in debt and back to into the black again, and four lousy marriages with men that clearly didn’t deserve her.


In my own way, I felt a connection to Doris Day that went beyond admiration. I know many are mourning our darling of screen and song. To me, her light has not faded. Her gifts she bestowed to us continues to shine brightly. So, I’ll pop in my favorite Doris film, then play one of my Doris Day vinyls. See you on the flip side, Doris. I bet Rock is teasingly calling you Eunice right now.






Today we bring you the first day of the 7th annual WHAT A CHARACTER! BLOGATHON, hosted by yours truly and my fellow co-hosts, the classic film loving ladies: Paula of Paula’s Cinema Club @Paula_Guthat and Aurora of Once Upon A Screen @CitizenScreen.

As promised, this annual event celebrates the character actors. Those unsung heroes of the silver screen, those familiar faces who often steal every scene from the leads… we salute you! Whether it’s the frustrated hotel manager, or sharp-witted maids, perhaps a sassy sidekick, or even the best friend… in so many ways, the character role is often our favorite, albeit small, performances of a film. We have invited bloggers to scribe on their favorite characters. Here they are!


Gill of Reelweedgiemidget Reviews @realweegiemidge discusses the usually second- billing, yet always first-rate performances of Engaging Roles from Enigmatic ED HARRIS Read about it here: 

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Maddy of Maddy Loves Her Classic Films presents SARA ALLGOOD. As Maddy affectionately adds, “She truly was one of the most gifted and natural actresses of the classic film era.” Read more:


Paddy of the Caftan Woman @CaftanWoman scribes on The Villainy of JACK LAMBERT. She describes him, “His craggy face and intimidating physique made Lambert a tough guy walking.” Read all the details on memorable character:

Actor Nat Pendleton

Sarah of the Mrs. Charles blog scribes on NAT PENDLETON. Sarah explains how she came to know a great deal about this prolific character actor who was much more than just “a likeable, but not too bright policeman, gangster, assistant…” Learn more here:


Jacqueline of Another Old Movie Blog offers her thoughts on WALTER ABEL. As she writes, “He was worthy of lead roles, but he was one of those actors who managed to turn even a small character part into the lead for even just a few moments.” Find out more here:

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One Gal’s Musings presents, JEAN DIXON. As she describes this scene-stealer, “Jean Dixon was once Hollywood’s Everywoman.” Read more on this relateable character:


Theresa of CineMaven’s Essays From The Couch joins us. She reached her choice of character actor as she explains, “And who better to dive into but the tall, dark, ruggedly handsome and oh so dangerous… STEPHEN MCNALLY.” When he’s bad, he’s good! We agree, Theresa! Read on, friends:


Quiggy from The Midnite Drive-In saddles up with a tribute to a frequent John Wayne cowpoke, HANK WORDEN. As Quiggy adds, “And I’d hazard a guess that if you thought of minor characters in Wayne movies, at least one or two in the top 10 would be a character played by Worden.  Some of them were quite memorable.” More:


Next up, Constance of Silver Scenes pays tribute to GEOFFREY KEEN – The Minister From England. As she notes, “He cut an imposing figure, was always well-groomed and cultured ( you’d never catch Keen among lowly people ), and walked in an air of authority.” Read on here:


Last but not least, Bill Shaffer as guest blogger on Outspoken & Freckled offers up the distinctively familiar face of SKELTON KNAGGS. As Bill observes, “One look at that face and hearing that voice like a rasping knife and he’s pretty hard to forget.” Discover more about this character with a lesser known name and better known face:

Thanks so much to all of our talented participants (who allow me to learn new and interesting details about characters every time we host this) and big kudos to my fellow co-hosts Paula and Aurora! Be sure to read all of these fascinating entries to our blogathon all weekend long..

Day 2: Once Upon A Screen

Day 3: Paula’s Cinema Club


Announcing the 7th Annual WHAT A CHARACTER! BLOGATHON

Announcing the SEVENTH ANNUAL What A Character! Blogathon
December 14-16, 2018

GoldDiggersOf193324-650x493When you re-watch your favorite films, what keeps you coming back for more? A great story with sharp writing? No doubt. Beautiful costumes, swanky set designs, and stunning cinematography? Most assuredly. But the performances are key to any movie. While we all look forward to the popular leading actors, it is the stand-out, scene-stealing supporting actors that feel like “home.”

Wise-cracking Eve Arden, nurturing Louise Beavers, sassy Thelma Ritter, double-take pro Edward Everett Horton, tart-tongued Edna May Oliver, gravelly-voiced Eddie “Rochester” Anderson, fatherly Charles Coburn, frazzled Franklin Pangborn, bull frog voiced, barrel-chested Eugene Pallette, cigar chomping Ned Sparks… these and so many more lovable character actors are who we look forward to seeing as our dearest ole chums. We all could use a trusted sidekick.

For the seventh consecutive year, we as the blogathon hosting trio of Aurora of Once Upon A Screen/ @CitizenScreen, Paula of Paula’s Cinema Club/ @Paula_Guthat, and yours truly Kellee of Outspoken & Freckled/ @IrishJayhawk66 invite you to join us for the WHAT A CHARACTER! BLOGATHON 2018, December 14, 15, 16, as we pay tribute to the brilliance of the supporting players.

Our objective for the What A Character! Blogathon has always been to shed the spotlight on these lesser-known but equally talented thespians, whose names usually appeared below the title. If you wish salute your favorite on-screen character actor- the quirky maid, that ornery hotel manager, frustrated maître D’, sassy best friend, a hot-tempered heavy, flabbergasted father, sarcastic sidekick, grumpy boss, gobsmacked butler- then you’ve come to the right place. Please review the guidelines below first, and leave me a comment.

  • Let at least one of the hosts know which character actor is your choice.
  • Don’t take it for granted we know exactly who you are or where your blog resides – please include the title and URL of your blog, also your Twitter handle if you have one.
  • We will not accept repeats (previously published posts), or duplicates, since there are so many greats worthy of attention, but your choices are not limited to classics. You can choose any character actor from any era and from the medium of television, which has featured talented regulars since the beginning, and continues to do so.
  • Publish your WAC! post on either December 14, 15, or 16, 2018. Let us know if you have a date preference; otherwise, we’ll split publicizing duties equally among the three days.
  • Please include one of our banners (see below) within your What A Character! post.
  • Additionally, we appreciate when you include [one of] the WAC! 2018 event banner[s] included in this post on your blog itself to help us promote the event.
  • Thank you for sending any of us the direct link to your post once you have published it. Searching on social media sites can lead to missed entries.
  • My contact info: / twitter~ @IrishJayhawk66 ~or, simply leave a comment below
  • HAVE FUN and spread the word!

Here are the spectacular banners Aurora has created for you to promote on your blogs…



Participating blogs and their choice of actors:

Walter Abel ~ Another Old Movie Blog

Sara Allgood ~Maddy Loves Her Classic Films

Lionel Atwill ~ Paula’s Cinema Club

Beulah Bondi ~ Once Upon A Screen

Elisha Cook, Jr. ~ Outspoken & Freckled

Jean Dixon ~ One Gal’s Musings

Alan Hale (Sr) ~ Silver Screen Classics

Margaret Hamilton ~ Wide Screen World

Ed Harris ~ Reel Weedgie Midget Reviews

Eileen Heckart ~ The Last Drive-In

Frieda Inescort ~ Sister Celluloid

Skelton Knaggs ~ Bill Shaffer, guest blogger on Outspoken & Freckled

Jack Lambert ~ Caftan Woman

Charles McGraw ~ The Old Hollywood Garden

Stephen McNally ~ CineMaven’s Essays From The Couch

Agnes Morehead ~ In The Good Old Days of Classic Hollywood

Eugene Pallette ~ Carole & Co.

Elizabeth Patterson ~ Backstory: A Guide To Classic Film

Nat Pendleton ~ Sarah as guest blogger on Once Upon A Screen

Thelma Ritter ~ A Shroud Of Thoughts

Everett Sloane in LADY FROM SHANGHAI ~ Silver Screenings

Kay Thompson ~ The Lady Eve’s Reel Life



*This WAC! Blogathon is dedicated in memory to two very fine character actors whom we lost this year. James Karen (1923 – 2018) was a hard-working actor who was a personal friend of Buster Keaton and frequent attendee of the Buster Keaton Celebration in Kansas and the TCMFF. Vanessa Marquez (1968 – 2018) was an extraordinary actress of film and TV and an even better friend. She is greatly missed and we continue to hold her close in our hearts.

Thank you to TCM for the tagline inspiration and to all you bloggers and film fans for your ongoing participation and support for seven years running! And a big ShoutOut to my fellow co-hosts who inspire me all year long for being such marvelous and lovely characters themselves!





Star Trek History Beams in Nebraska


The man who created Klingons for Star Trek will find his way home this weekend in the small town of Beatrice, Nebraska. Sadly, while screenwriter/producer/novelist GENE L. COON is no longer with us, his spirit lives on with millions of Star Trek fans from the obsessive ‘Trekkies” to the passing fans. March 2-4th, fans can experience the rare treat of discovering more about the man who inspired generations of fandom and became a globally recognized phenomenon of entertainment and pop culture.

In the first season of this unique science-fiction tv series in 1966, Gene Roddenberry took exploration into space quite seriously. After the first 13 episodes, Coon joined the Star Trek production team and forever changed the navigation of the franchise by adding humor and heart. In addition to giving birth to iconic characters like Klingons and Khan, Coon is credited to the key to Star Trek’s success by injecting levity into interstellar drama such as the occasional good-natured ribbing from McCoy and Spock.

David Gerrold, fellow Star Trek writer from the original series, should know. Gerrold wrote the famous “The Trouble With Tribbles” episode and will be headlining as guest speaker at the Gage County Classic Film Institute this weekend to discuss working with the famed Nebraskan. Recently, I got a chance to chat with fellow classic film buff and local historian Jeanelle Kleveland, an organizer for this 3 day festival, that will showcase guest speakers, historical insights and screenings.

Interview with Jeanelle Kleveland: 

Kellee: “How long have you been a classic film fan? Did anyone in your personal life inspire this passion?”

Jeanelle: “I don’t remember a time that I didn’t like classic films.  Obviously, they are far more available today than when I grew up, but I would watch them on late night tv when they were on.  Then I remember when Turner showed quite a few on TNT before TCM existed.  I was on the TCM chatroom with other classic film lovers shortly after TCM started.  That was a lot of fun.”

Kellee: “When did you become deeply interested in Nebraska/Gage County history, beyond being a resident?” 

Jeanelle: “Gage County has a very interesting history.  The Oregon Trail comes into Gage County.  We have the Homestead National Monument.  We have Clara Colby who published a suffrage newspaper from Beatrice.  She was friends with the best known suffragists.  I’m sure I got more interested as I got a little older—probably in my 30’s.  My mother always enjoyed it and I enjoyed going to things with her.”

Kellee: “How long have you been involved in the Gage County Historical Society?”

Jeanelle: “Probably at least 30 years.  My mother always got me a membership along with the one she got for herself and my dad.  We almost always went to the annual dinners and programs.”

Kellee: “When did the Gage County Classic Film Institute begin? What is its goal and what do you hope for its future?” 

Jeanelle: “We formed under the umbrella of the Gage County Museum in 2014.  We had our first event in 2015 and we have had four events.  Two of them were on Robert Taylor*, a true Hollywood legend, and two were on John P. Fulton, special effects.  He won three Oscars and his father, Fitch Fulton, won one.  A couple of films also included Janet Shaw as a character actor.  She’s also from Beatrice.” 

(*For my report on the Robert Taylor event, read it here: “Hometown Pride Honors Robert Taylor…”)

“Our Institute was formed for the purpose of educating and show casing people in the entertainment business that are from Gage County. Last year we did Fulton and one of his grand daughters brought one of his Oscars and we all got to have our picture with it.  We didn’t know it was coming but it was a real treat to hold a real Oscar.”

Kellee: “What led you to choose Gene Coon for this year? Is there a process for who is chosen for each year?”

Jeanelle: “Gene Coon has been on our radar and Star Trek is very popular and Star Trek Discovery was coming out and we felt the time was right.  He was a prolific writer and worked on dozens of series.  He was kind of a fix it guy.  He wrote on a number of westerns and we will be showing a couple of those as well.”

Kellee: “Would you describe yourself as a trekkie or SciFi fan?”

Jeanelle: “Yes, I suppose I am.  My favorite Star Trek would be The Next Generation.  In fact I have a life size cardboard Riker that friends of mine gave me for my birthday because I was a big fan of Number 1.  He’s my very low maintenance cardboard boyfriend.  He is on display right now at the Beatrice Public Library watching over the Gene Coon exhibit.”

Kellee: “Was there anything that surprised you in researching Gene Coon and David Gerrold?” 

Jeanelle: “Always some interesting things that one learns when planning an event.  Gene Coon and a colleague came up with the idea of the Munsters as a satirical response to Donna Reed Show.”

“David Gerrold was mentored by Gene Coon.  I can’t wait to hear him speak.  He wrote The Trouble with Tribbles and it was produced by Coon.  We’ll be watching it Friday night.”

Kellee: “There are a variety of classic film festivals that fans can attend across the country, tell us why they should journey to Beatrice.”

Jeanelle: “They should come see the programs and hear the stories about Gene Coon and learn about where he came from.  While here, he was a teenage newscaster on the local radio station—KWBE.  Going to where someone grew up and where his family lived gives you an understanding about what they are like.  Gage County is a relatively small county.  I find it amazing that we have a number of celebs from here.” 

“We are tentatively looking at Harold Lloyd for next year.  That would be fun.”

Kellee: “Anything else you want to add so that interested fans can learn more about attending this fest?” 

Jeanelle: “I think people will enjoy discussing the similarity between the westerns and Star Trek.  Coon was the moral center of Star Trek.  You see that same thing in many of his other stories.”


For my own research, I was surprised to learn that Coon was also responsible for the controversial episode that featured half-white/half-black faced humanoids that tackled racism, “Let This Be Your Battlefield.” Coon had his own battles- with Stanley Robertson, NBC’s first African American broadcast standards exec- to get this story on air.

According to, (Andreea) “Kindryd, (his production secretary and) an African-American civil rights activist who had worked with Martin Luther King Jr. and Malcolm X, was uneasy about working with an old white guy named Coon—especially after Coon told her that his father had been a member of the Ku Klux Klan—but Coon was passionate about injecting anti-racist messages into Trek.”

Tolerance and enlightenment had a future thanks to Star Trek. And thanks to Gene L Coon, there was a place for more heart and humor, too.

For more information and to purchase tickets to this festival, you can follow their FaceBook page and/or explore their site: Gage County Film Institute Fest 2018.


Zasu Pitts, Funny Lady with a Funny Name



First things first. Before I can gush on about this distinctively funny lady with the fluttering hands that stole every scene, one must learn how to say her name correctly. Oh sure, many of my ‘old movie weirdo’ friends may know, but it’s a common mistake. To honor her properly, let’s begin with this lesson, provided via Thelma Todd and ZaSu herself:

YouTube: ZaSu Pitts: Learn My Name!


Now that we all know how say “Say-zoo,” a name which is a combo of her aunts Eliza and Susan, let’s explore the memorable ways this distinctive lady who began life not too far from me in Parsons, Kansas, became one of the most recognized faces in Hollywood.

Her most notable characters were the woeful worrywarts. Physically, her appearance was defined by delicate, thin lines and a frequent focus on her ever- waving, fidgeting fingers. Her tiny mouth was shaped like a kewpie doll with the corners often turned down. Her large, soft eyes were doe-like and she usually looked upward. Her voice had a distinctive mumbling of melancholic concern, often with an “oh dear…” muttering to herself. She gained the reputation of stealing every scene.




ZaSu’s signature characterizations were such a fan favorite she was parodied in cartoons, a reflection that she was immersed in pop culture. If you’ve seen Olive Oyl from Max Fleischer’s Popeye the Sailor cartoons, you are already familiar with the signature ZaSu Pitts tone and voice. She was also featured in Looney Tunes, in Hollywood-ribbing toons like “Mother Goose Goes Hollywood.”


Pitts often faced the challenge of looking too similar to Lillian Gish. Here, with Mary Pickford, THE LITTLE PRINCESS (1917).

Born Eliza Susan Pitts on January 3rd, 1894 (her 124th birthday is next month), the family moved to Santa Cruz, California seeking sunnier opportunities. Despite her shy demeanor and bird-like qualities, Pitts was a natural performing on stage and moved to LA by age twenty-one. Working a small part with icon Mary Pickford, A LITTLE PRINCESS (1917) was her first break on the big screen.


Erich von Stroheim’s masterpiece GREED 

Soon, she was starring in one-reelers and feature films, working with greats like directors King Vidor and Eric Von Stroheim (i.e. the silent masterpiece, GREED)- in a range of parts from tragedy to comedy to drama. Her popularity increased in the 1930s, with a demand for her in character roles in comedies. She was partnered in series with Thelma Todd (Hal Roach promoted the two as a female Laurel and Hardy) and with Slim Summerville.


mastering comedy with Thelma Todd

The 1940s brought her success to radio, vaudeville and Broadway, working with the biggest names in entertainment. She transitioned easily to television in the 1950s, in popular roles like cruise ship beautician Elvira Nugent on “The Gale Storm Show.” But this decade also introduced ill health, with a cancer diagnosis. As a fitting tribute to her own career, her last role would be in the epic ensemble of comic legends, in IT’S A MAD, MAD, MAD, MAD WORLD (1963). Even with health battles, she continued working until her death at the age of sixty-nine on June 7, 1963.


Pitts’ last role in IT’s A MAD, MAD, MAD, MAD WORLD

ZaSu Pitts was a true wallflower success story. She proved that a shy girl from Kansas, with more matronly than cover-girl looks, could be a huge star as a character actress. She worked from the silents to the sixties, in every entertainment medium (film, radio, vaudeville, television and on Broadway), from dramatic roles to comedy, and she worked with some of the biggest stars and filmmakers in Hollywood’s heydays.


The more ZaSu films I watch, the more I am thoroughly charmed by her. And to see her range from tragic epic dramatic roles like GREED to super silly shorts with Thelma Todd, I am also in awe of her talent. What a character!


This article on character acting legend ZaSu Pitts is my contribution to the 6th annual WHAT A CHARACTER Blogathon, hosted by Aurora of Once Upon a Screen, Paula of Paula’s Cinema Club and yours truly. You can read the other entries on character actors from this blogathon from days one, two and three:

My 80s TV Crushes: David Addison and Remington Steele



Reel Infatuation Banners

The Silver Screenings site is conducting the Reel Infatuation Blogathon this week. Bloggers are tasked with reflecting upon their fictional character crushes- from books or the big or small screen.

Truth be told, my first TV crush (and this is according to a discovery I made in my baby book as scribed in my mother’s own handwriting so it must be true) was Donny Osmond. I assume it was a combination of those gloriously large and straight teeth and I was more “a little bit Rock n’ Roll” than “a little bit country.” And then came along the Hardy Boys and Nancy Drew Mystery Hour. I secretly thought of myself to be Nancy Drew, undoubtedly. And at a time when all the other girls were dreaming of Shaun Cassidy or even his half-brother David, not me. I preferred the clean-cut looks of Parker Stevenson, frankly.

Fast forward to my post-puberty days of the 80s. While Duran Duran was my religion and my cult, my television heart throbs fell on the charming shoulders of Bruce Willis as David Addison, Jr. of “Moonlighting” (1985-1989) and Pierce Brosnan as “Remington Steele”(1982-1987).

My love for classic film was already blossoming back in the 80s and Cary Grant was then and always shall remain my biggest silver screen crush. As for the small screen, it now seems obvious why I was drawn to the Remington Steele and David Addison characters. These two had a lot in common with each other but also with my love of classic film leading men.



The pilot episode highlighted a female licensed investigator, Ms. Laura Holt (Stephanie Zimbalist). She’s educated, sharp, confident, attractive, ambitious, with a keen attention to detail. But she constantly finds resistance from clients because she’s a woman. So she creates a fictional male boss (“Remington Steele” is a name created from a combination of a typewriter and a football team) and suddenly business starts to roll in.

That is, until her next assignment. When a client hires her for an event with multi-million dollars’ worth of jewels, he insists on meeting Mr. Steele in person for his personal oversee. Ms. Holt isn’t worried though. She plans on a shell game to keep her fictional boss always somewhere else while still providing top-notch security. How could anything go wrong?


Things go awry when a rather dapper man named Ben (Pierce Brosnan) shows up saying he’s in an official capacity as a South African diplomat to ensure the jewels rightful return to their country of smuggled origin. But when Laura’s team, always-suspicious Murphy and eager-to-please Ms. Fox, dig deeper into his true identity, they find he’s not who he seems. They find 5 passports with different names. All are fictional characters from Humphrey Bogart films. Before you know it, he’s been found out to be a jewel thief and con man…a perfect set-up for his even sexier role in THE THOMAS CROWNE AFFAIR remake (1999), taken Remington Steele’s identity, solved a murder and charmed Ms. Holt. By the end of the pilot, he’s decided to take on the Steele identity and the PI gig on a permanent basis. But do we ever discover his real name?

Moonlighting 1

David Addison in MOONLIGHTING:

In the pilot, we are introduced to Madelyn “Maddie” Hayes (Cybil Shepherd) who is a self-made woman of independent success and distinction as a former model. Still beautiful, intelligent and confident, she wakes up one day broke. Her investment manager ran off with all her liquid assets leaving her with only with a handful of businesses designed to lose money on the books.  The City of Angels detective agency is one of them, with David Addison (Bruce Willis), private eye, at the helm.

Bruce Willis American actor as 'David Addison' Cybill Shepherd American Actress as 'Maddie Hayes' Stars of the award-winning television series "Moonlighting"

Addison is energetic, fast-talking, witty, playful, and completely persistent. Maddie attempts to fire him and shut down the business but with David’s pushy persuasions and with a murder case that literally falls into their laps, Maddie ultimately changes her mind. As an homage to the ‘Blue Moon Shampoo girl’ of Maddie’s cover girl days, Addison decides to change their business name to the Blue Moon Detective Agency. Before then, the two bicker and screwball their way through an investigation. When a man falls dead in front of Maddie and onto the floor, revealing a knife in his back, David dryly jokes, “that’s gotta hurt falling on your nose like that.” The wit and onscreen chemistry sizzles, even if it didn’t exist behind the scenes.

What these two shows also shared was the insertion of quirky characters like Doris Roberts as Mildred Krebs in “Remington Steele” and Allyce Beasley as the speedy-rhyming Agnes DiPesto in “Moonlighting”. Plus, an impressive list of actors that star and/or cameo. Do you recall Eva Marie Saint, Imogene Coca, James Karen, John Goodman, Sterling Holloway (as a narrator) and Ray Charles have all appeared in “Moonlighting”?

Then there’s the writing. After a few seasons, head writer Glenn Gordon Caron left “Remington Steele” to begin writing for “Moonlighting.” No wonder the similarities are obvious.

“Moonlighting” offered higher production value and was the most expensive show aired at that time at $1.6 million per episode. Replete with all the glossy style of 80s fashions, nods to classic film was also worked into every scene with David and Maddie. In attempt to copy the rapid-fire exchanges of over-talking like Cary Grant and Rosalind Russell in HIS GIRL FRIDAY (1940), cast members and producers were asked to watch that film in addition to BRINGING UP BABY (1938) to capture the tone and dynamics of those hilarious screwball couples. Cybil Shepherd was often shot in diffused camera lens to repeat the soft, glowing look of the leading ladies of the 1940s. Not to mention it was just a flattering aesthetic.


Besides both series being centered on detective duos, the leading men borderline as con men and cads in their charming and frequently mischievous ways. The women are bright, assertive and more fearless than what a majority of women were/are portrayed as in film. That’s what makes these couples so intriguing and the tension more delectable.

Remington and David would not be near as irresistible if it wasn’t for Laura and Maddie to challenge them. In the pilot episode of Remington Steele, Brosnan’s character Steele says, “I’m a man who enjoys impossible challenges,” as he smiles flirtatiously at Laura. Later as they chase the bad guy in an airport cart, Steele is driving as Holt is grabbing the wheel from behind, steering simultaneously. “I take it you wanted to drive,” he coyly smiles.


And that’s why David and Maddie, and Remington and Laura, just like Walter and Hildy in HIS GIRL FRIDAY along with several other classic examples work. The power struggles for these couples are so appealing because the women are not yielding, subservient, dizzy dames. These ladies are equally strong, attractive, intelligent women who challenge these deliciously charming men. And when you turn up that heat with such fiery exchanges… well, no wonder my younger self was hooked.


Both Pierce Brosnan and Bruce Willis went on to even more successful careers. But it was these roles and the portrayal of these characters that led them there. Brosnan was courted to be the next James Bond back in 85/86 but a surprise resurgence in the show (thanks to the Bond buzz) created a renewal of one more season and caused him to lose out to Timothy Dalton. Years later, Chris Columbus who worked with him on MRS. DOUBTFIRE (1993) urged Brosnan to give it a go again, which eventually landed him the part as 007.

Bruce Willis received great success as John McClane in DIE HARD (1988) while still filming “Moonlighting,” which kicked off a long career of iconic action and sci-fi films. His success, the behind-the-scenes conflicts, including huge challenges by continuous filming delays all added up to kill the show.

Looking back, the sets seem hokey by today’s standards and these shows certainly do not have the same staying power as the classic films they aspired. But these memorable characters of Remington Steele and David Addison, Jr. permanently etched these actors forever on the American cinematic map and will always have a warm, fuzzy spot in my heart, too.

This was my contribution to the Reel Infatuation Blogathon, hosted by Silver Screenings and Font & Frock, taking place June 13-17th. Explore all the reel crushes from each day!


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Goodbye Mad Men


Social media and water coolers alike have been a buzz since the series final episode of “MAD MEN” aired. Some have wondered just why the series became such an intensely popular phenomenon. Was it the nostalgia and quirky fun of Janie Bryant’s wardrobes spanning mainly across the 60s, right up to 1970? Was it the character development of these Madison Avenue ad men and women? Yes. Plus so much more.

No one is a hero. Creator Matthew Weiner took great care to create this show like none other. In world filled with characters at their very best and their very worst… of strong heroes, saintly women, villainous women, and evil antagonists. Here instead was a rare world where characters were not such typical standards. They felt more authentic and more oft to show us their warts and jaded outlooks than their best pose. And he took the time to show them in their quiet moments, and everyday activities of life- not just soapy ‘cliff-hangers’ to stir us into the next episode. Basically, they were us.


A full cast of flawed characters. We’re drawn into each of these main characters for various reasons. Do we admire the socially awkward pluck yet tenacity of Peggy? Do we wish for the calm empowerment and independence of Joan? Are we curious about what makes Betty so confident in her strength of identity?  Are we entertained by the hilarious lines of Roger? Is Pete fated to say and do the slightly wrong things? Is Sally doomed to repeat her parents’ follies? These are the types of questions that consume our thoughts and seem to be the undercurrent of every show. In every little moment, frequently the most mundane- we get tiny little morsels to feed our curiosity of just who ARE these folks? And we’re left still a tad peckish, never quite satisfied. This is ‘thinking people television’.

And then there’s the mystery of Don Draper. It’s the crux of the show. He is neither hero or anti-hero. He is considerably flawed. And proves that he is, every single time when we think he’s magically evolved into a reformed good guy. So is he a monster? Noooo. Like the rest of us, this man has ‘his moments.’ Don’s mysteries are deep and complex and we’re never shown the full extent of his eternal question mark.

Parting scenes. (Spoilers ahead for those who somehow haven’t cued up your DVRs to this buzz-worthy finale.)


Christina Hendricks as Joan Harris and Bruce Greenwood as Richard – has she finally met the right one?

Christina Hendricks as Joan Harris - Mad Men _ Season 7B, Episode 14 - Photo Credit: Michael Yarish/AMC

Ultimately after being forced to choose, Joan wisely chooses herself.  7th Season, Episode 14 – Photo Credit: Michael Yarish/AMC

Joan shines by being true to herself- independent and empowered. At first I was torn and felt sad that it she was forced to choose between having a career and having a devoted man in her life. Then we see her happy in her choice. And that’s the genuis of this show. Transitioning into the 70s, this theme of whether women can have it all was truly coming into the forefront. The 1980 Enjoli perfume ad “I can bring home the bacon and fry it up in a pan” reflects that this issue was hardly resolved by the rise of feminism in the 70s and still not to this day. This show knows how to weave in a storyline that is not only true to its character but reflects the themes of that particular year/time- uniquely well.

Jay R. Ferguson as Stan Rizzo and Elisabeth Moss as Peggy Olson- sometimes the right one was there all along.

Jay R. Ferguson as Stan Rizzo and Elisabeth Moss as Peggy Olson- sometimes the right one was there all along.

Peggy and Stan fall in love. This was unexpected. Not because it doesn’t make sense. It actually does. It just seemed so ‘non Mad Men’ to have such a sweet story line that wasn’t laced with some bitter edge or cynicism. Yet it didn’t feel out of sorts because we had watched these two develop and interact over time, watch them have each others’ backs and be brutally honest too many times to mention. Who else to make up the perfect pair than the friend who lets you be completely yourself and who has seen you in all your good times and bad, right?

CHEERS to Julia Ormond as Marie Calvet and John Slattery as Roger Sterling - 7th Season, Episode 14 - Photo Credit: Michael Yarish/AMC

CHEERS to Julia Ormond as Marie Calvet and John Slattery as Roger Sterling – 7th Season, Episode 14 – Photo Credit: Michael Yarish/AMC

Roger and Megan’s mom make it permanent. I guess time will tell (in our imaginations.) But I have solid hopes for these two. I think Marie may be the only one who challenges him enough (and I’m thrilled she’s actually within his age) to keep him interested and they seem like they’d have a lifetime of fun.

Pete Campbell finally makes the right move. Pete ushers in the new decade with a promising job offer that would relocate him to Wichita. They prefer a family man to match their midwest values and as though a light bulb came on, Pete happily agrees to become a new and improved man for Trudy. It’s actually a very sincere and convincingly passionate pitch. We see the Campbell family board their jet, as Trudy radiantly beams in her fur lined coat and matching hat with a “That Girl” look as she spins around to board their future life.

Elisabeth Moss as Peggy Olson gets an intense call from Don - 7th Season, Episode 14 - Photo Credit: Michael Yarish/AMC

Elisabeth Moss as Peggy Olson gets an intense call from Don – 7th Season, Episode 14 – Photo Credit: Michael Yarish/AMC

Don and Peggy say goodbye. Don shows surprisingly more raw emotion and vulnerable transparency in this final episode than we’ve ever seen before. And not just in one scene, but several. We see him break down after being abandoned at a ‘hippie self-help retreat’ in California. With all the flashbacks to his childhood, this act of abandonment (motherly abandonment was also the heated topic at hand for their group therapy) was the final straw to bring Don to his most vulnerable low. It’s Peggy he calls in this moment. Is he calling for a ride or to reach out as a verbal suicide note? He says he just wanted to hear her voice before he says goodbye. Not surprisingly, she is alarmed and goes from scolding him for worrying them to realizing his dire state of mind, with a tearful “just come home, Don.” Despite their past roles of boss/employee/co-worker/mentor and friends, she’s actually the closest thing to a mom he’s ever had.

Betty gets honest and faces fears with Don- January Jones as Betty Draper

Betty gets honest and faces fears with Don- January Jones as Betty Draper

Don and Betty say goodbye.  The way in which Betty departs and says goodbye to Don were especially tough and moving scenes to watch.

You see, my mom was diagnosed with cancer (breast not lung) in the prime youth of her life as a single mom in the late 70s. Our dad was also mostly out of the picture (actually even less so than Don). The part that really got to me was watching Sally after breaking her secrecy by telling Don the shocking news and that they (Sally and her two brothers) would be going to live with Betty’s sister and brother-in-law. I had an eerily similar conversation with my father, explaining to him why it was in our best interest to go live with a stable, nuclear family. As I watched Betty have that tough chat with Don, reiterating that he must respect her wishes and why; I pondered how parallel this conversation may have been to my own parents’. Then I wondered how this affected Sally later in life.

Kiernan Shipka as Sally grew up quickly. This final episode was a defining moment for her.

Was Matthew Weiner in my head? Perhaps that’s the key to the success of this show. It gets in our heads. We feel we connect to these fictional characters somehow in a real way.

The wall finally comes down for Don

The wall finally comes down for Don

Don says goodbye. Don breaks down and finally shows all his emotional cards, thanks to a little nudging from Supergirl Helen Slater. Ultimately, we can only guess what was to follow for Don. Speculations have run amuck from Don converting to a hippie zen lifestyle permanently to him going back to the ad world after his therapeutic retreat, just in time to write the most famous and successful ad of his career. Many have argued the famous “I’d Like To Buy The World A Coke” inspiration came from his stay in California from the parallels offered. (The true story behind how that famed ad came to be is fascinating in itself.) I can only hope for Don that he simply found true happiness, as the final scene alludes- and that’s good enough for me.


The Coke ad foreshadowing has been served to us in many gulps over the seasons, in hindsight- ever since Betty modeled for a Coke ad in season 1.


Here we see another of many hints…

Jon Hamm as Don Draper finds long overdue inner peace and love... in California. 7th Season, Episode 14 - Photo Credit: Courtesy of AMC

Jon Hamm as Don Draper finds long overdue inner peace and love… in California. 7th Season, Episode 14 – Photo Credit: Courtesy of AMC


Merely for entertainment, you can take a Mad Men quiz on the Sundance site to see which character you most resemble. It’s interesting but not completely surprising that Don Draper was my result. No worries hubby, I’m not an adulterer, nor a heavy drinker and smoker; but do I escape when pressure get tough? Oh yeah. (Thankfully my escapes generally come via TCM or a movie theater.)

MadMen_ Cooper_besthingsionlife

My favorite scene– other than every single delicious second in this entire final episode, I’d have to say it’s when Bert Cooper’s ghost says goodbye to Don via a musical dance number “The Best Things In Life Are Free.” It’s magical for several reasons- for one, it’s a lovely nod to Robert Morse’s earlier career as the lead actor in HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING (1967), which has been argued was a major influence for this show. But it’s also a precursor in seeing Draper’s wall starting to crumble. Watch that scene again and look closely at Don’s face as he tries to hold back his emotions. Yet another example of Don Draper’s issues with goodbyes.

What is your favorite Mad Men moment? How about your favorite closing title song? Farewell, Mad Men… yes, you will be missed.


Classic and Colorful ‘Momisms’

Mom photo

Kathee- aka my mother

As we close on another Mother’s Day weekend, it’s not hard-pressed to think of Mom. My mother died of breast cancer thirty four years ago. Interestingly, it will be thirty four years ago exactly today- and she was thirty-four years old. But when it comes to how we ‘honor’ our moms, it’s frequent to hear how many ponder wisdoms our mothers taught us. Whether our moms have passed or are still with us and we consider memories from our childhood, I often hear the advice or expressions folks frequently and fondly recall.

For some, it’s as practical as “eat your vegetables” or “don’t talk to strangers” or “money doesn’t grow on trees.” Every mother seems to have an instinctive need to either scold or pass on lessons of life to their children in a way that was somewhat annoying or incredibly redundant to hear at the time and yet we find ourselves repeating and paying heed to these momisms later in life.

For me, I recall mom saying “your plate should be colorful.” It was her way of pointing our that a meal of all biege or white or artificially colored in orange was likely a very unhealthy diet. She taught us that a colorful plate of green veggies and other healthy foods are not just beautiful, but a delicious way to live a good life.

Another phrase that stuck with me was not one she repeated again but it truly stayed with me. She proclaimed it as she was at a juncture of major change. It was our country’s bicentennial. She was a divorced single mom of two young daughters, struggling to make ends meet in the city- sometimes juggling two jobs. After announcing that we would would be moving to a little town called Taos, New Mexico, and we likely responded in shock; she said “if we’re going to be poor, let’s at least live someplace pretty.”

My little sister, my mom, and me circa summer of 1976

My little sister, my mom, and me circa summer of 1976

We celebrated our grandmother’s birthday on July 4th, 1976, we packed up our belongings in a VW beetle, and off we went to live a very different- and a very colorful- life than we had known before. Later as an adult I experienced similar challenges and joys as my own mother did, her words made a great deal more sense. I realized her words meant that life would likely be straddled with struggles, but how we choose to take in the view was up to us.

Because my mother died when I was only fourteen and there were indeed times of adversity, I was lucky to have other strong women in my life that made a positive influence- such as my many aunts, my grandmothers, and my father’s second wife Kathleen who were all there during pivotal and significant events of my life. No doubt they all played some part in why I love being a mom to my kids/stepkids today.

So what are the little nuggets of advice or wisdoms of life that your mother or mom-like figure bestowed upon you?  Was it countless “Because I’m your mother that’s why!” or something more original? And how did it affect you later in life? Please let me know~ I would love to hear!

I’ll leave you with images of classic film and TV moms on this Mother’s Day, some of which may have shaped a subtle influence in my life. Whether based on fantasy or a close proximity to reality, they were fun to idolize or entertain in my own way of filling in that vacant void. As my childhood transitioned from the late 60s to the 70s and into the early 80s, the typical family was portrayed as anything but traditional, just like my own family and many families at that time.

For all you amazing, hard-working, devoted and ‘colorful’ moms out there, hope you all enjoyed a relaxing and happy Mother’s Day!

I Remember Mama (1948)

I Remember Mama (1948)

Mildred Pierce (1945)

Mildred Pierce (1945)

Stella Dallas (1937)

Stella Dallas (1937)

Mrs. Miniver (1942)

Mrs. Miniver (1942)

Alice Doesn't Live Here Anymore (1974)

Alice Doesn’t Live Here Anymore (1974)

Terms Of Endearment (1983)

Terms Of Endearment (1983)

Laura Petrie, The Dick Van Dyke Show (1961-1966)

The Dick Van Dyke Show (1961-1966)

moms_ I Love Lucy

I Love Lucy (1951-1957)

moms_ Julia

Julia (1968-1971)

moms_ bambi

Bambi (1942)

Leave It To Beaver (1957-1963)

Leave It To Beaver (1957-1963)

One Day At A Time (1975-1984)

One Day At A Time (1975-1984)

Little House On The Prairie (1974-1983)

Little House On The Prairie (1974-1983)

The Partridge Family (1970-1974)

The Partridge Family (1970-1974)

The Munsters (1964-1966)

The Munsters (1964-1966)

The Sonny and Cher Comedy Hour (1971-1974)

The Sonny and Cher Comedy Hour (1971-1974)

moms_All In The Family

All In The Family (1971-1979)


Bewitched (1964-1972)

moms_Happy Days

Happy Days (1974-1984)

THE BRADY BUNCH (1969-1974), photo credit: Getty

THE BRADY BUNCH (1969-1974), photo credit: Getty

FAMILY TIES (1982-1989) — Photo by: Paul Drinkwater/NBCU Photo Bank

moms_Lost In Space

Lost In Space (1965-1968)


James Garner as "Maverick" (1957-1960)

James Garner is one of those rare Hollywood actors who has made such an incredible impression on the silver screen with an illustrious career spanning decades, that he is easily recognized to this day by multiples of generations and by millions across the world. You can count me in as one of his biggest fans. In addition to an active filmography of over fifty films beginning in the mid-1950’s, Garner was equally popular in a very active career in television. He is one of the first to skillfully master both the big and small screen mediums so successfully. One of my favorite television roles for Garner is the charming western comedy, “Maverick”(1957-1960).

Born in Norman, Oklahoma as James Scott Bumgarner, in 1928, his childhood had a hefty share of challenges. As the youngest of three boys, James lost his mother Mildred (who was said to be part Cherokee) at the very early age of five years old. The boys lived with family until their father remarried. This stepmother was physically abusive for years to the point that young 14 year old James finally stood up to this deplorable woman with a violent altercation that ended the marriage. His father left the boys behind and moved to LA. By sixteen, James joined the Merchant Marines. He enjoyed the physical activity and camaraderie but rejoined his father in LA to enroll as a popular student at Hollywood High. This reunion did not last long as he returned to Norman less than a year later. There he excelled in sports, not academics at the local school but never graduated (he did earn his GED later). Instead, he returned to the army where he felt more at home.

In the National Guard he served 7 months stateside then he served in combat in the midst of the Korean War for another 14 months in the standard army. He even earned 2 different Purple Heart medals for his injuries during the war. Thereafter, a friend convinced him to take on a non-speaking role in the Broadway production of “The Caine Mutiny Court Martial” (1954) where he carefully studied the acting methods of co-star Henry Fonda. This led to a series of small television spots and a contract with Warner Brothers (in 1956), which followed with some film work. Without any notification or permission, Warner Brothers took the liberty of changing his name from Bumgarner to Garner.

His big Hollywood break came along when he was offered the part of  Bret Maverick on the television series, “Maverick” in 1957. Created by Roy Huggins, this television series took the popular and frequent TV genre at that time of the western, yet gave it a whole new twist. Instead of taking a straight-forward good guy (typically a law man of some sort) who takes an unswerving interest to run the bad guys out of town, “Maverick” took a fresh approach that was instantly popular thanks to the charm of its leading man, James Garner. The role of Bret Maverick was a lovable cad… a gambler traveling town to town in search of profit via a deck of cards. And while he was often the source of the bad guys’ undoing, it was never his primary objective. Maverick is actually a rather lazy character, never seeking out conflict. He’d rather sneak out of town to seek his next fortune than have a ‘shoot out at the OK Corral.’ But ultimately he always revealed that he’s a good guy after all; even if grudgingly, in the end.

James Garner, on his role as ‘Bret Maverick’: “I’m playing me. Bret Maverick is lazy: I’m lazy. And I like being lazy.”

The show also featured Bret’s brother Bart (portrayed by Jack Kelly, 1957-1962) and later a British-accented cousin, Beau (portrayed by Roger Moore, 1959-1961). While Bret and Bart were supposed to be a brother team on equal star billing, audiences were so taken by Garner’s handsome looks, charisma and dry-wit charm that Bret quickly became the clear favorite. As popular as James Garner was in this role, his contract with Warner Brothers ended abruptly in 1960. Warner Brothers suspended Garner without pay in the midst of a writer’s strike. But he sued and won; thereby freeing him to pursue higher-paying film roles, just as he was rapidly becoming a household name.

While his part on the “Maverick” series ended in 1960, this was not his last nor only time to play this character. He also portrayed Bret Maverick in 1957 in one episode of “Sugarfoot” (1957-1961), in 1979 in one episode of “Young Maverick” (1979-1980), and again in 18 episodes of “Bret Maverick” (1981-1982). When the Bret Maverick role was reprised as a major film in 1994 starring Mel Gibson as the lead, it was James Garner who co-starred as ‘partner’ Marshal Zane Cooper with equal charm and appeal.

Over the following five decades, James Garner went on to star in memorable film and television roles such as THE GREAT ESCAPE (1963), THE AMERICANIZATION OF EMILY (1964), MURPHY’S ROMANCE (1985) (for which he was nominated for both an Oscar and a Golden Globe), THE NOTEBOOK (2004) and TV series “The Rockford Files” (1974-1980). Some of my favorite Garner films are his fun comedies from the 60’s like THE THRILL OF IT ALL (1963), MOVE OVER, DARLING (1963), HOW SWEET IT IS! (1968) and SUPPORT YOUR LOCAL SHERIFF! (1969). While James Garner has been an active and very hard-working (despite his joke quoted above regarding laziness) actor for decades, he is most widely recognized for the early role that launched his career into super stardom, “Maverick.”

On a personal note, I must add that I highly respect this man not only for his acting talents but also for his integrity as an individual. He has been a long-time supporter of civil rights and humanitarian causes, and active in politics. On August 28, 1963 he joined over 200,000 Americans for the infamous ‘March on Washington for Jobs and Freedom’ to get an up-close view of Dr. Martin Luther King Jr. inspire the crowds with his “I Have A Dream” speech. He was joined by fellow civil rights supporters like Sammy Davis Jr., Marlon Brando, Joan Baez, and Bob Dylan. In one of the longest real-life romances in Hollywood, he met his wife Lois Clarke at an Adlai Stephenson campaign rally in 1956 and they married just 2 weeks later. I truly enjoy following their daughter Gigi on twitter (@MavrocksGirl) and I recommend following her engaging and compassionate (gee, I wonder where she gets those lovely qualities) timeline, especially for you James Garner fans like me!
This tribute to James Garner’s role as “Maverick” is my humble entry to the delightful blogathon, BIG STARS ON THE SMALL SCREEN as hosted by the fabulous How Sweet It Was site. Please read all the other entertaining and informative blogger entries in this wonderful gem of a blogathon!

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