(The following was included as part of my John Ford Film Study course which I taught in the winter/early spring semester of 2023. This is the last film featured in this Ford series. Please enjoy…) For our last film of this John Ford study, it seems rather fitting to end with the film that many consider to be Ford’s last great film, THE MAN WHO … Continue reading Ford’s Cinematic Send Off: THE MAN WHO SHOT LIBERTY VALANCE
With this Ford film, we’ll continue the themes from rugged wilderness and racism as discussed in my coverage of THE SEARCHERS, into similar territory in SERGEANT RUTLEDGE. We will take a closer look at the ‘Buffalo Soldiers’ of the U.S. Cavalry history, but with the suspense of a courtroom drama. For discussion of this film’s story, it’s important to note the historical relevance of Black … Continue reading A Western Rarity: SERGEANT RUTLEDGE (1960)
[The following was part of my John Ford film study course I taught in the winter of 2023. SPOILERS are included in this handout, so if you haven’t watched this film before, feel free to refrain until you do so.] As we transition to our next film, THE SEARCHERS (1956), we will experience a very different John Ford film, with a starkly darker role for … Continue reading THE SEARCHERS (1956), a Film Study
(The following is my handout from the John Ford course I taught in the winter semester of 2023.) The film we’ll be screening tonight is one of Ford’s ‘Calvary trilogy’ films, SHE WORE A YELLOW RIBBON. So called for the use of the United States Calvary at the center of these stories. FORT APACHE (1948), SHE WORE A YELLOW RIBBON (1949), and RIO BRAVO (1950) … Continue reading John Ford’s SHE WORE A YELLOW RIBBON
John Ford’s THREE GODFATHERS (1948) (The following is my handout from the John Ford course I taught in the winter semester of 2023.) It’s no longer the holiday season. You might have too much holiday fatigue to appreciate the oft debated topic of just what prequalifies a film to be a “Christmas movie.” For example, you may or may not agree that DIE HARD (1983) … Continue reading THREE GODFATHERS- Is It a Christmas Movie?
A crazy-eyed neurotic. A nervous noir thug. A sell-out weasel. These are not exactly the most flattering depictions of a character. But these are just a few of the characters Elisha Cook Jr. was best known. “Cookie” was a true working actor with over 200 credits across stage, film, and television for a career that lasted nearly sixty years. Starting as young as 14 years … Continue reading Elisha Cook Jr
There’s something very charming about an outlaw who shows us his good side. Sure, he breaks laws; but in a pinch, his instinct to do the truly right thing blazes in, just in the nick of time. He’s often the anti-hero with a tough, crusty exterior and vulnerable mush inside. The lovable cad. In John Ford’s technicolor 3 GODFATHERS (1948), based on the 1918 novelette … Continue reading 3 Godfathers
Outspoken & Freckled 