(The following was included as part of my John Ford Film Study course which I taught in the winter/early spring semester of 2023. This is the last film featured in this Ford series. Please enjoy…) For our last film of this John Ford study, it seems rather fitting to end with the film that many consider to be Ford’s last great film, THE MAN WHO … Continue reading Ford’s Cinematic Send Off: THE MAN WHO SHOT LIBERTY VALANCE
For classic film fans, the holiday season represents a time to wax nostalgic over those classic films that pop up this time of year. Everyone has his or her own must-see favorites. Perhaps you prefer a mainstream flavor like WHITE CHRISTMAS or IT’S A WONDERFUL LIFE, or perhaps you go for something a bit under the mainstream radar like HOLIDAY AFFAIR or IT HAPPENED ON … Continue reading Christmas in Connecticut – Holiday Classic or Feminist Screwball?
Many a cinephile enjoy debating what films merit the definition for a holiday movie. Ever since Preston Sturges directed THE MIRACLE of MORGAN’S CREEK (1944), the controversy surrounding the film was less focused on whether it’s a Christmas movie, but more on the shock that it ever passed the production code under Breen’s watchful eyes. Written and directed by the king of screwball comedies, Preston Sturges, The Miracle … Continue reading A Christmas Miracle Comes for Trudy Kockenlocker
With this Ford film, we’ll continue the themes from rugged wilderness and racism as discussed in my coverage of THE SEARCHERS, into similar territory in SERGEANT RUTLEDGE. We will take a closer look at the ‘Buffalo Soldiers’ of the U.S. Cavalry history, but with the suspense of a courtroom drama. For discussion of this film’s story, it’s important to note the historical relevance of Black … Continue reading A Western Rarity: SERGEANT RUTLEDGE (1960)
We’re in for a real treat. Many consider, and I’m in full agreement, that James Whale’s THE BRIDE OF FRANKENSTEIN (1935) to be the best of the Universal classic monster films. The question is WHY? We’ll discuss that, and perhaps you’ll have your own opinions on this. We have studied several Universal horrors up to this point, along with the details of what was transpiring … Continue reading A Case for Campy or Creepy-THE BRIDE OF FRANKENSTEIN (1935)
This marks the first of eight films that paired Bela Lugosi and Boris Karloff. Both big names in Hollywood coming off of their huge successes of DRACULA and FRANKENSTEIN. But while Karloff would continue his success in the years that followed, Lugosi’s career struggled. DRACULA would be his first major Hollywood role, and his biggest. Lugosi didn’t seem the right fit for many roles that … Continue reading A Sinister Study: THE BLACK CAT (1934)
In our 3rd film in this Universal Horror series, we’re studying Karl Freund’s THE MUMMY (1932). While we travel to ancient Egypt via California and Universal City, this tale feels strangely familiar territory. Again, we see familiar faces. But have we been here before? One of the themes of THE MUMMY is reincarnation; but in many aspects, the story itself is a reincarnation of DRACULA … Continue reading THE MUMMY (1932)
“How do you do? Mr. Carl Laemmle feels it would be a little unkind to present this picture without just a word of friendly warning: We are about to unfold the story of Frankenstein, a man of science who sought to create a man after his own image without reckoning upon God. It is one of the strangest tales ever told. It deals with the two … Continue reading FRANKENSTEIN (1931): A Film Study
[The following was part of my John Ford film study course I taught in the winter of 2023. SPOILERS are included in this handout, so if you haven’t watched this film before, feel free to refrain until you do so.] As we transition to our next film, THE SEARCHERS (1956), we will experience a very different John Ford film, with a starkly darker role for … Continue reading THE SEARCHERS (1956), a Film Study
In the Autumn of 2022, I instructed a film study course on a selected filmography of Universal Pictures. I’ve been teaching for many years in the college town in Lawrence, Kansas. As I have done so across many topics of classic film, I start with an overview of the film genre, director including signature elements, historical context and background. Then we screen and discuss the … Continue reading Universal Horrors: a Film Study
Outspoken & Freckled 