My Interview with Vincent Price’s Daughter, Victoria Price

On October 4, 2025 I had pleasure of meeting the daughter of Vincent Price, the celebrated author Victoria Price. At the Slash and Bash Film Festival in Topeka, Kansas, where all things spooky from classic to contemporary, convened in fandom. She is the author of a biography on her father, “Vincent Price: A Daughter’s Biography,” (1999), and inspirational memoirs, “The Way of Being Lost: A … Continue reading My Interview with Vincent Price’s Daughter, Victoria Price

The Unexpected Delights of DESTRY RIDES AGAIN (1939)

In the Autumn of 2021, we were attempting how to navigate through a major pandemic. My goal was to continue teaching classic film courses; with masks on and social distance spacing, we somehow managed our best to stay safe while enjoying some old movies. That semester, I chose the topic of 1939: The Greatest Year in Cinema History. My intention was to highlight some magnificent … Continue reading The Unexpected Delights of DESTRY RIDES AGAIN (1939)

THE BREAKING POINT (1950)

While Michael Curtiz would go on to make more films (22 more) in the decade following 1950, it is with good reason that I have chosen THE BREAKING POINT as the film to finish out our Curtiz journey. “Noir Czar” Eddie Muller while being interviewed on TCM by Robert Osborn once described this film as” brilliant,” and his favorite Michael Curtiz film; and yes, he … Continue reading THE BREAKING POINT (1950)

A Little Noir Gem, THE UNSUSPECTED (1947)

THE UNSUSPECTED (1947) was the very first film Michael Curtiz made under his new production company, Michael Curtiz Productions. As such, it’s an important pit stop in our Curtiz journey. In the end, it was a mix of hits and misses; but overall, an important lesson in his life as a filmmaker. With Hal Wallis’s post-CASABLANCA disgruntled exit at Warner Brothers and with Curtiz’s maiden … Continue reading A Little Noir Gem, THE UNSUSPECTED (1947)

A Gangster Morality: ANGELS with DIRTY FACES (1938)

Warner Brothers’ house style during the 1930s embraced gangster films, along with the occasional big production musicals. During the Pre-Code years of the early 1930s, those gangster films were gritty and violent and made James Cagney (THE PUBLIC ENEMY, 1931) and Edward G Robinson (LITTLE CEASAR, 1931) big stars. But once the production code became enforced during the second half of the 1930s, the studio … Continue reading A Gangster Morality: ANGELS with DIRTY FACES (1938)

The ADVENTURES of ROBIN HOOD: A Technicolor Dream in Tights

We venture forth in our Michael Curtiz adventure with our next film, THE ADVENTURES of ROBIN HOOD (1938). To pivot from 2-strip color Pre-Code horror with cannibalistic themes to the Technicolor swashbuckling men in tights of Robin Hood is a perfect example of the Curtiz versatility. As a reminder, the Pre-Code era (late 1929 – summer of 1934) has ended, and as such Joseph Breen … Continue reading The ADVENTURES of ROBIN HOOD: A Technicolor Dream in Tights

Ice Cream Colors Splash of Horror in DOCTOR X

A hodge podge mix of tones – and colors- unexpected in a Pre-Code horror flick. Michael Curtiz’s DOCTOR X remains a stand-out, even more nine decades later. As we explore the filmography of director Curtiz, let’s begin early in his Hollywood years with a Warner Brothers rarity, a horror film. Based on the play “The Terror” by Howard W Comstock and Allen C Miller, the … Continue reading Ice Cream Colors Splash of Horror in DOCTOR X

A Real Hollywood Comeback: ALL ABOUT EVE (1950)

Today we are in for a real treat. Many have rightfully described Joseph L Mankiewicz’s ALL ABOUT EVE as one of cinema’s most remarkable films, and specifically as the most literate and intelligent scripts in all of Hollywood’s golden era. Based on a short story in Cosmopolitan magazine in 1946, author/actress Mary Orr (1910 – 2006) scribed, “The Wisdom of Eve,” in 1946 of an … Continue reading A Real Hollywood Comeback: ALL ABOUT EVE (1950)

The Background Story: Bette Davis in NOW VOYAGER

In today’s stop along our grand Bette Davis adventure, we are studying NOW VOYAGER (1941). It is undoubtedly a dramatic tale of romance, but also rooted in a theme of psychiatry and mental health. As a bonus, we are treated to a character makeover. This is a coming out tale. Who doesn’t love a dazzling ‘before and after’ reveal? NOW VOYAGER is based upon a … Continue reading The Background Story: Bette Davis in NOW VOYAGER

Tallulah Bankhead Exposes THE CHEAT (1931)

One of the captivating traits found in a Pre-Code film is a dark tone, that often reflects a discernible note of danger. I suppose it’s a flair for the dramatics that draws many to the dark side of Pre-Code cinema. There are many such themes of sins and malice found in George Abbott’s The Cheat (1931) . The alluring Tallulah Bankhead is Elsa Carlyle, an extravagant spender who lives beyond … Continue reading Tallulah Bankhead Exposes THE CHEAT (1931)