Mae West was an original. Her personality was bigger than life and her sexuality was a powerful force of nature. In West’s second writing credit on film, Wesley Ruggles’ I’M NO ANGEL stands out as a definitive Pre-Code. Following the success of SHE DONE HIM WRONG released earlier that year, the even greater popularity of I’M NO ANGEL as the top grossing film of 1933 … Continue reading Salacious Sins in I’M NO ANGEL (1933)