Motherhood is historically a symbol of nurturing love and sacrifice. If a mother is married, and her partner/spouse dies, as a widow her role as mother marches on. But does that mark an end to her shot at happiness beyond parenting? Doesn’t mom deserve romance… again? As we approach the month of mothers’ special day (May 10th), I want to explore the notion that romantic … Continue reading Do Moms Deserve a 2nd Chance For Love?
*The following are my film study notes, from the Billy Wilder Film Study course I taught in the Fall of 2019. THE APARTMENT (1960), a Film Study By Kellee Pratt Becoming a mensch. That’s the real theme here in Billy Wilder’s THE APARTMENT (1960). In our last session, we screened and discussed SOME LIKE IT HOT (1958). As we’ve mentioned before, Billy followed a pattern … Continue reading Becoming a Mensch: THE APARTMENT (1960)
Starting in early September, I started teaching this semester’s selection in my ongoing classic film series- BILLY WILDER, a Film Study. I will share with you my film notes. The below are my brief notes from our first class. As with my past courses (Film Noir, Screwball Comedy, Alfred Hitchcock, Ray Harryhausen), the first meeting is an overview of Wilder’s background, key elements of style, … Continue reading The Billy Wilder Film Study
Frank McHugh was never destined to be the top banana in a film. He lacked any traditional leading man looks. His voice was never skilled to ever become a songbird. And other than portraying a dancing cat with simple steps while chewing a cigar, he was certainly no Fred Astaire. But he had all the right stuff to be a very popular second banana in … Continue reading Frank McHugh, Everybody’s Pal
Seeing Donald Pleasence As a (slightly rusty) artist, I’m always people watching. I don’t sketch as much as I used to, and now it’s mostly dogs, but I still find myself looking deeply at people features, their body language, attitude, smile, and gate… but mostly I look at their eyes. And it’s for that reason why my entry for the What A Character! Blogathon is … Continue reading Seeing Donald Pleasence
Today we bring you the first day of the 8th annual WHAT A CHARACTER! BLOGATHON, hosted by yours truly and my fellow co-hosts, your ambassadors of classic film: Paula of Paula’s Cinema Club @Paula_Guthat and Aurora of Once Upon A Screen @CitizenScreen. In celebrating this annual event, this weekend we honor the unsung heroes of big and small screens everywhere, the unforgettable character actors. Who are those familiar faces … Continue reading WHAT A CHARACTER! BLOGATHON: Day 1
It’s hard to believe we’ve been hosting this blogathon for eight years now. But perhaps not that shocking considering that discussing those scene-stealing character actors is a crowd-pleasing pastime amongst cinephiles. Wise-cracking Eve Arden, nurturing Louise Beavers, sassy Thelma Ritter, double-take pro Edward Everett Horton, tart-tongued Edna May Oliver, gravelly-voiced Eddie “Rochester” Anderson, fatherly Charles Coburn, frazzled Franklin Pangborn, bull frog voiced, barrel-chested Eugene Pallette, … Continue reading Announcement: It’s the 8th Annual WHAT A CHARACTER! Blogathon
Doris Day was 40 years old when Delbert Mann’s THAT TOUCH OF MINK (1962) premiered, cementing her ridiculous (yet popular) reputation as the “world’s oldest professional virgin.” At this point, she was flourishing in her career within a string of crowd-pleasing sex comedies and rom-coms from the late 1950s that continued into the 1960s. THAT TOUCH OF MINK followed a sure-fire formula with successful films … Continue reading THAT TOUCH OF MINK (1962)
I don’t usually post items so personal. Something so removed from my classic film thoughts. But as my family will come together today to honor my aunt Carolyn’s life, I felt compelled to share a few thoughts of my own. My aunt Carolyn… A summation of one’s life cannot be judged on only one slant of their personality, nor on the declining years if they … Continue reading My aunt Carolyn
Next month marks the 70th anniversary of the gripping film noir, Anthony Mann’s BORDER INCIDENT (1949). It’s a violent, intense, shocking, and visually stunning peek into the slave labor conditions of the braceros who work farming along the American/Mexican border. Here it is 70 years later, and I cannot think of anything more topically relevant. Don’t let the arid, sweltering heat of the Imperial valley … Continue reading BORDER INCIDENT (1949)
Outspoken & Freckled 