Author: kelleepratt
Last Day of the 2015 WHAT A CHARACTER! Blogathon
Elsa is beside herself and so are we. It is bittersweet to see the last day arrive for our 4th annual WHAT A CHARACTER! Blogathon. We’ve come to realize you love this blogathon as much as we do. With good reason- why not celebrate those fun, quirky character actors that take those small roles and steal every scene? So here we have arrived to the … Continue reading Last Day of the 2015 WHAT A CHARACTER! Blogathon
WHAT A CHARACTER! 2015 – Day Two!
Originally posted on Once upon a screen…:
This is so exciting Edward Everett Horton is biting his nails! I’m thrilled to be hosting Day Two of the 2015 What A Character! Blogathon, the fourth installment of an event during which we put aside the stars and focus our efforts on the Hortons of the world. Paula’s Cinema Club kicked things off yesterday with a terrific list of submissions and I… Continue reading WHAT A CHARACTER! 2015 – Day Two!
What a Character, Franklin Pangborn
A nance, effeminate, fussbudget, aesthete or pansy performer. Franklin Pangborn was called many names but ‘successful and inspirational trailblazer’ of the character acting world suits much better. He possessed that readily recognizable face in films spanning across the first half of the twentieth century. Often playing a role of a man in the service industry, countless times he stole small scenes on the big screen. … Continue reading What a Character, Franklin Pangborn
4th Annual WHAT A CHARACTER! Blogathon – Day 1 Posts
Originally posted on Paula's Cinema Club:
WE’RE BACK for number 4! The WHAT A CHARACTER! Blogathon honors the players who rarely got leading parts, exhibiting instead a versatility and depth many leading actors wished they had. Aurora, Kellee, and I never tire of seeing them show up in films or paying tribute to their talents, and as the previous three installments of this event… Continue reading 4th Annual WHAT A CHARACTER! Blogathon – Day 1 Posts
Clarice via Criterion: THE SILENCE OF THE LAMBS (1991)
As a cinema fan of all eras, I’m familiar with the universal themes apparent in a predictable fashion in a great many films. The protagonist is the good guy symbol of tough, moral fortitude and there is usually a pretty female role vying for his romantic attention as he battles whatever conflicts, evil doers or challenges that besiege them. Then came along FBI agent … Continue reading Clarice via Criterion: THE SILENCE OF THE LAMBS (1991)
Abbott and Costello Meet the Universal Monsters
Modern horror has gone through various subgenre influences from vampires, zombies, Japanese horror, slasher blood-and-gore, to ‘documentary style camera work’ (think Blair Witch Project or Paranormal Activity), with a slew of sequels plus parodies and a host of others. Those are okay, I guess. But what really does it for me are the Universal horror films or any classic horror comedy. The best of these … Continue reading Abbott and Costello Meet the Universal Monsters
Buster Keaton in COLLEGE (1927)
Buster Keaton was at his best in the years prior to leaving for MGM. During this time in the mid to late twenties, anything collegiate was all the style rage. Although Harold Lloyd tackled the topic first in THE FRESHMAN (1925), Keaton ‘took a run’ at it in his lesser known classic, COLLEGE (1927). In this story, scholarly nerd Ronald (Buster Keaton) starts off on … Continue reading Buster Keaton in COLLEGE (1927)
CMBA’s Planes, Trains, and Automobiles blogathon… TAXI! (1932)
Crooked cabbies, hot Irish tempers, and bad situations with good intentions. Roy Del Ruth’s 1932 PreCode nugget has a variety sampling of yummy delights. As if struggling to make ends meet as a taxi driver in the Depression isn’t bad enough, mafia styling competition just made it worse. Our story begins with Guy Kibbee as ole man Pop Riley who has comfortably carved out a … Continue reading CMBA’s Planes, Trains, and Automobiles blogathon… TAXI! (1932)
Dolores Del Rio in RAMONA (1928)
“Take care of your inner, spiritual beauty. That will reflect in your face.” … Dolores Del Rio Of his romance with her, Orson Welles called her “the most exciting woman I’ve ever met.” Her friend Marlene Dietrich thought she was, “the most beautiful woman in Hollywood.” As impressive as that sounds, Dolores Del Rio was all of this and so much more. Drawn to the … Continue reading Dolores Del Rio in RAMONA (1928)
