2015 Kansas Silent Film Festival

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The last weekend of every February brings two things to the northeastern corner of Kansas- the high likelihood of harsh winter weather and the Kansas Silent Film Festival. This year in celebrating its 19th year, the weather was undoubtedly cold but certainly navigable yet another stellar line-up of silent cinema kept the crowds warm at the Washburn University in Topeka, Kansas.

KSFF trio 2015

Each year, this event brings film fans from the region and beyond to experience this FREE festival which features guest speakers, panels and a variety of silent films, which are presented with musical accompaniment. And for you film fans fearful to dip your toes into the silent film waters, assuming you’ll find these rare gems intimidating or dull… oh contraire! Delve into early cinema history by experiencing it the way it was intended- on a big screen, with an audience and LIVE MUSIC.

I’ve been attending the Kansas Silent Film Festival since 2011 and this year brought a unique feature with national recognition. Only a few select theaters across the country screened this fest’s featured film, the 100th anniversary of the controversial epic D.W. Griffith’s THE BIRTH OF A NATION (1915). Sparking debate even a century later, this film was followed by a panel of speakers that addressed how the film that has been both praised for its technical achievements and blasted for stirring controversary. Based on Thomas Dixon’s The Clansman, a story of two families’ (a Northern and a Southern) experiences in Reconstruction era of post-Civil War. The shock comes with Griffith’s 193 minute take on history, showing the Ku Klux Klan as ‘saviors of the South’. (More on this below)

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Speakers, Musicians and Special Guests:

Jon Mirsalis– pianist/digital pianist for silent films for 20+ years, collector and archivist of rare films, trained scientist in his former life and all-around silent film guru. He was the key note speaker at the Cinema Dinner with “Silent Film Survival: How Bad Is It Really?” which was both a depressing yet fascinating look at which and why specific studios destroyed silents as talkies came into fashion. Quite entertaining with Mirsalis’s dry wit and sharp intellect on this topic.

Kevin Willmott– Associate Professor, Film Studies at the University of Kansas, civil and poverty rights activist, award-winning writer and busy filmmaker with a passion for history. He spoke at the THE BIRTH OF A NATION (1915) panel. This wasn’t the first time I’ve heard him speak and I’m proud to have such an admirable and impressive scholar/filmmaker live in my own town.

Denise Morrison– film historian with a special affinity for the silent era, Director of Collections and Curatorial Services at the Kansas City Museum, and the 2-day emcee. Morrison provides interesting tidbits of trivia and background to each introduction of a film.

Marvin Faulwell– master theater organist for this fest, concerts and other silent film programs across Nebraska, Iowa, Kansas and Minnesota. He performed just last weekend in St. Louis for a screening of first-ever Best Picture Oscar winner WINGS (1927).

Jeff Rapsis– composer/musician and accomplished pianist, hailing from New Hampshire. He’s composed new scores for THE BELLS (1926) and 20,000 LEAGUES UNDER THE SEA (1916) and he’s a delightful return to KSFF.

Bob Keckeisen– Wichita native, asst. director and principal percussionist of the Topeka Symphony.

Full Schedule:

Friday, 2/27:

GRANDMA’S BOY (1922)

  • 54 mins.
  • produced by Hal Roach
  • directed by Fred C. Newmeyer
  • music by Jon Mirsalis

-starring lovable Harold Lloyd as the sweet coward who gets empowered to tackle the town bully and save the day and win over the pretty girl’s affections (portrayed Mildred Davis- who later married Lloyd), thanks to his loving and scrappy grandmother’s fable of his grandfather’s Civil War days. Noteworthy that 77 year old Anna Townsend who portrayed the Grandma was alive during the Civil War. Sweet and funny flick that laid the foundation for Lloyd’s big hits to come of similar character.

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COLLEGE (1927)

  • 65 mins.
  • featuring Buster Keaton, Ann Cornwell, Harold Goodwin
  • directed by James W. Horne
  • music by Marvin Faulwell, Bob Keckeisen

-following Harold Lloyd’s popular THE FRESHMAN, this film takes on similar suit of this popular collegiate theme of the mid-20’s. Stone face Keaton’s character is the nerdy brainiac that vows to learn how to be athletic (hard to fathom knowing the real-life Buster was the most athletic star of the silent screen) to win over his sweetheart (Ann Cornwell) from the brutish jock (Harold Goodwin) as they begin college. Even the plot sounds pretty familiar, eh? But as formula as this plot goes, the entertainment factor cannot be beat with Keaton’s hilarious physical comedy bits. It climaxes with an jaw-dropping race, including jumping over hedges and leaping into 2nd floor windows via a ladder with a single-bound, that it must be seen to be believed. From what I’ve seen of Keaton’s work, I doubt there was a single spot on his body that wasn’t Olympian-level athletic.

Saturday, 2/28:

*Special Documentary– 60 mins.

KSFF 2015 Laurel and Hardy

THE BATTLE OF THE CENTURY (1928)

  • 13 mins.
  • starring Stan Laurel, Oliver Hardy
  • directed by Clyde Bruckman
  • music by Marvin Faulwell

-this boxing short shows just how things can go wrong when Hardy as Laurel’s fight manager tries to profit on an insurance claim, that he’s taken out on Laurel, and attempts to create accidents to ensure a profit. This film also features real pies for an enormous pie fight at the end. For all you trivia fans, can you name a later film that was an homage to Laurel & Hardy which also featured a mega pie fight? (I’ll give you a hint- it was centered around a ‘race’ and it was ‘great’!) Another interesting tidbit: according to KSFF, the first reel of this two-reeler was thought lost, then found in 1979; but still not fully complete. This version shown was the most complete currently available, with stills used in certain segments.

A MOVIE STAR (1916)

  • 20 mins.
  • starring Mack Swain
  • produced by Mack Sennett
  • directed by Fred “Fishback” Hibbard
  • music by Marvin Faulwell

-this silly flick in true Sennett style pokes fun at the Hollywood system and the movie star ego of the unlikely western hero of Swain. They say Mack Sennett introduced this now commonly known style of self-depricating humor.

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THE LITTLE CHURCH AROUND THE CORNER (1923)

  • 64 mins.
  • starring Claire Windsor, Kenneth Harlan, Hobart Bosworth
  • directed by William Seiter
  • music by Jeff Rapsis

-this is a melodramatic mining town tale set in the Victorian era, depicting the class struggles between owners vs. laborers. Of special interest to me is star Claire Windsor. Very few of her films still exist and she’s a Kansas native! So, it seemed fitting to purchase this three-reeler as there were a small collection of silent films for sale. This is now my second silent film purchase (both standard 8s) at this festival. SO exciting! Not exactly a huge collection compared to true collectors but you have to start somewhere, right?

ALL WET (1924)

  • 12 mins.
  • starring Charley Chase, William Gillespie
  • directed by Leo McCarey
  • music by Jeff Rapsis

-simple premise to this short tale is a slew of zany obstacles that Chase encounters on the way to a train station. Known for his “Jimmy Jump” character, Charley Chase is a natural at tickling the funny bone in all his films. A master at exagerrated expressions and ‘knees up’ physical comedy.

THE BIRTH OF A NATION (1915)

  • 193 mins.
  • directed by D.W. Griffith

-as explained above, while this film was considered a technical mastery of its time, its content promotes racist propaganda including a lynching, racial stereotyping, and a depicting of the KKK as ‘heroes.’ Across the country when this film was released, many states banned it because of this. (Kansas held this ban for almost a decade.) Sightings of the KKK and lynchings of African Americans surged across the South following the popularity of the film. I chose to skip this screening yet attend the three speaker panel which followed.

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PANEL DISCUSSION

I found this conversation between Denise Morrison, Jon Mirsalis, and Kevin Willmott very interesting. For the very reasons I did not wish to see THE BIRTH OF A NATION, is exactly why I found the Panel Discussion so fascinating. Some of the best takeaways included Willmott pointing out another classic film that dealt with the KKK and a sympathetic view of the Confederate South, GONE WITH THE WIND (1939), which he cleverly refered to it as ‘racist light,’ for its more glossier and subtle take, such as a scene that refers to a KKK meeting and raid as a “political meeting” and “cleaning up the shanty town.” To this point, it was argued whether almost every film made in the classic era is racist.

KSFF panel 2015

When asked whether the director Griffith, son of a Confederate colonel, and this epic film deserved shunning or accolades due to his racist leanings, Willmott surmised that “Nation” should not be censored. Rather, he said it should be studied to remind us of our place in history and how far we have yet to improve; so that we may never regress again. On the issue of whether such a controversial figure should be honored in namesake (a reference to DGA’s Lifetime Achievement Award dropping Griffith’s name), he also added that someone being a master in their craft (of filmmaking) who utilizes their art to promote and glamorize racism does not discount the fact they shouldn’t be forgiven for their lack of humanity.

MAX LINDER COLLECTION

…A SKATER’S DEBUT (1905), TROUBLES OF A GRASSWIDOWER (1912), MAX AND HIS DOG (1912), MAX JUGGLING FOR LOVE (1912)

  • 25 mins.
  • originated in France
  • music by Jeff Rapsis

-this was a delightful series of snippets of the top hat festooned and ever-debonair star Linder at the height of his international career. It was a treat to see such early cinema.

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THE SEA HAWK (1924)

  • 123 mins.
  • starring Milton Sills, Enid Bennett, Lloyd Hughes, Wallace Beery
  • directed by Frank Lloyd
  • music by Jon Mirsalis

-as someone who had only seen the 1940 Errol Flynn version, this was a real treat! I adore Flynn in all his swashbuckling charm, but I seriously think the compelling narrative in this high seas tale of love and betrayal gives that one a run for its money. A young Beery is the charmer here and the costumes and set design are fabulous. Film historian Morrison stated that for achieving authenticity, director Frank Lloyd spent $200,000 just on the real ships alone. That investment paid off because this film was the highlight sceening of the fest!

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For more information on this outstanding annual film festival, or how you can submit donations to keep this unique event going… www.kssilentfilmfest.org. Hope to see you there in 2016!

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Silents In The Cathedral presents: THE BAT (1926)

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On a beautiful Autumn night in Topeka, KS a week prior to Halloween, and for the 17th year, the Grace Cathedral was home of the silent film event, SILENTS IN THE CATHEDRAL. This year’s spooky spectacular included 3 shorts and the main feature, Roland West’s THE BAT (1926). Sponsored by The Topeka & Shawnee County Public Library with the cooperation of the Kansas Silent Film Festival, this was free to the public thanks to funding from the National Endowment of the Humanities.

Inside this beautifully restored and maintained building, we were welcomed by a series of folks thanking the various sponsors. The final speaker was local film historian Denise Morrison. She enlightened the packed house with background stories and trivia on the fun films ahead. These silent delights were accompanied by the musical stylings of Dr. Marvin Faulwell on the Cathedral organ and Bob Keckeisen on Percussion. For a night devoted to silent entertainment, the crowds would ensure that even the amazing music would soon be drowned out further by laughter.

Mickey as Mickey McGuire

Mickey as Mickey McGuire

Our first short, “MICKEY AND THE HAUNTED HOUSE” (1928) was Mickey Rooney’s first on-screen character. Mickey McGuire was his name back then as he literally adopted his popular character. His name soon changed to Mickey Rooney (born Ninian Joseph Yule, Jr. aka Joe Yule, Jr.) following a court dispute over copyrighting conflicts. Mickey’s mom used blackened cork to dye his hair black for this character, and thus a star was born. This short cannot be found in imbd under this title as it’s likely a snippet from a longer feature. But it’s a silly 10 minute romp filled with exaggerated gags, including a plethora of shots of Mickey looking ahead with his hand gobsmacked to the side of his face. Now we know where the HOME ALONE inspiration originated.

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less-than-courageous Charley Chase

Our Gang gangs up on the town Fraidy Cat

Our Gang gangs up on the town Fraidy Cat

Then two Charley Chase shorts followed. In THE FRAIDY CAT (1924), this 12 minute  silly story features Jimmy Jump who is jumpy indeed. Jimmy’s afraid of absolutely everything and everyone, even the neighborhood kids (many immediately recognizable from Our Gang) who bully and tease our resident coward. In the end, he musters up the courage and wins over the sweetheart. The second Chase short INNOCENT HUSBANDS (1925) is a truly funny two-reeler. An overly jealous wife spends an evening micromanaging her husband, which results in hysterical bits, one after the other, even including a séance. The laughs were non-stop.

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the bat signal?

Next up, our main feature, Roland West’s THE BAT (1926) was based on Mary Rogers Reinhardt’s play and is rumored to be Bob Kane’s inspiration for the comic book character Batman. You can see the influence, even down to the ‘bat signal’ in a funnier twist of a moth caught in a headlight. The premise is a who-dunnit of sorts- with mysterious disappearances, murder, robbery, kooky characters, a big creepy house, and of course a ghoulish (but not all that scary) bat. The cast is terrific… such as Mary Pickford’s brother Jack Pickford as the falsely accused beau, Louise Fazenda as the hilarious maid and Emily Fitzroy as the charmingly laid-back aunt.

It was a spooky night in the most fun way. Good, clean, rib-tickling entertainment. For those in the area, you won’t have to wait until next Autumn for big screen silent screenings, the Kansas Silent Film Festival is coming up February 27-28, 2015. Visit their website: www.kssilentfilmfest.org – another free event for silent film fans!

SilentsintheCathedral

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