A Case for Campy or Creepy-THE BRIDE OF FRANKENSTEIN (1935)

We’re in for a real treat. Many consider, and I’m in full agreement, that James Whale’s THE BRIDE OF FRANKENSTEIN (1935) to be the best of the Universal classic monster films. The question is WHY? We’ll discuss that, and perhaps you’ll have your own opinions on this. We have studied several Universal horrors up to this point, along with the details of what was transpiring … Continue reading A Case for Campy or Creepy-THE BRIDE OF FRANKENSTEIN (1935)

A Sinister Study: THE BLACK CAT (1934)

This marks the first of eight films that paired Bela Lugosi and Boris Karloff. Both big names in Hollywood coming off of their huge successes of DRACULA and FRANKENSTEIN. But while Karloff would continue his success in the years that followed, Lugosi’s career struggled. DRACULA would be his first major Hollywood role, and his biggest. Lugosi didn’t seem the right fit for many roles that … Continue reading A Sinister Study: THE BLACK CAT (1934)

THE MUMMY (1932)

In our 3rd film in this Universal Horror series, we’re studying Karl Freund’s THE MUMMY (1932). While we travel to ancient Egypt via California and Universal City, this tale feels strangely familiar territory. Again, we see familiar faces. But have we been here before? One of the themes of THE MUMMY is reincarnation; but in many aspects, the story itself is a reincarnation of DRACULA … Continue reading THE MUMMY (1932)

FRANKENSTEIN (1931): A Film Study

“How do you do? Mr. Carl Laemmle feels it would be a little unkind to present this picture without just a word of friendly warning: We are about to unfold the story of Frankenstein, a man of science who sought to create a man after his own image without reckoning upon God. It is one of the strangest tales ever told. It deals with the two … Continue reading FRANKENSTEIN (1931): A Film Study