In our next stop along our Katharine Hepburn film study, we remain in the 1930s with George Cukor’s HOLIDAY (1938). Many have considered this film as part of a trio for Hepburn during this time. BRINGING UP BABY (1937) and THE PHILADELPHIA STORY (1940) bookend this film, with all three featuring Kate as wealthy socialite who is privileged but with a heart of gold. The … Continue reading HOLIDAY (1938)
Warner Brothers’ house style during the 1930s embraced gangster films, along with the occasional big production musicals. During the Pre-Code years of the early 1930s, those gangster films were gritty and violent and made James Cagney (THE PUBLIC ENEMY, 1931) and Edward G Robinson (LITTLE CEASAR, 1931) big stars. But once the production code became enforced during the second half of the 1930s, the studio … Continue reading A Gangster Morality: ANGELS with DIRTY FACES (1938)
One of the captivating traits found in a Pre-Code film is a dark tone, that often reflects a discernible note of danger. I suppose it’s a flair for the dramatics that draws many to the dark side of Pre-Code cinema. There are many such themes of sins and malice found in George Abbott’s The Cheat (1931) . The alluring Tallulah Bankhead is Elsa Carlyle, an extravagant spender who lives beyond … Continue reading Tallulah Bankhead Exposes THE CHEAT (1931)
Outspoken & Freckled 