Category: Politics in Hollywood

Classic Film, Politics in Hollywood

A Fitting Tale for Our Times… THE MORTAL STORM (1940)

For our 2nd film to explore in our journey into “the Greatest Year in Cinema History: 1939,” we’re taking a liberty with the primary goal of our course by discussing a film from 1940. Initially, I had scheduled Anatole Litvak’s CONFESSIONS of a NAZI SPY (1939), starring dynamic Edward G. Robinson. I do highly recommend CONFESSIONS, but I think there is a more finessed approach … Continue reading A Fitting Tale for Our Times… THE MORTAL STORM (1940)

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Classic Film, Film Noir, Politics in Hollywood

THE BREAKING POINT (1950)

While Michael Curtiz would go on to make more films (22 more) in the decade following 1950, it is with good reason that I have chosen THE BREAKING POINT as the film to finish out our Curtiz journey. “Noir Czar” Eddie Muller while being interviewed on TCM by Robert Osborn once described this film as” brilliant,” and his favorite Michael Curtiz film; and yes, he … Continue reading THE BREAKING POINT (1950)

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Classic Film, classic film review, Politics in Hollywood

A Film Study: CASABLANCA (1942)

I’m shocked, shocked to find any evidence of a cinematic soul that isn’t in love with the film we’re discussing today, CASABLANCA. It’s not only a film that many a classic film fan would describe as their favorite, but it’s easily a film that could be described as an essentially perfect film. In many ways, with the experience of working within a wide variety of … Continue reading A Film Study: CASABLANCA (1942)

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Politics in Hollywood

Is a New Era Red Scare Underway in Hollywood?

I’m fascinated by politics as much as I am classic film. As a local film historian in my small college town, I teach a variety of courses on Old Hollywood with a healthy dose of history. When Variety published an article today, “Trump Names Sylvester Stallone, Mel Gibson and Jon Voight as ‘Special Ambassadors’ To ‘Troubled’ Hollywood: They’ll Bring ‘Lost Business’ Back,” it caught my … Continue reading Is a New Era Red Scare Underway in Hollywood?

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